News & Insights

Carole Feuerman has debuted new works, featuring a re-imagined print suite of Serena which we produced, at Galeries Bartoux. Feuerman has been an iconic pillar of the art world for years, credited as one of the pioneers of hyperrealism, and her monumental exhibition Sea Idylls is an attestation to that. Getting to work with her and her studio on this hybrid print was a major project for us.

We worked with new media artist Orkhan Mammadov on printing editions from his Carpetdiem series, featuring 1001 unique generative carpets. Built from an algorithm that recursively divides geometric shapes again and again, these fractal carpets reframe the craftsmanship traditions of his home country of Azerbaijan.

Rhythm, Bass and Place: Connections and Reflections on Music of the African Diaspora is a monumental and all-inclusive 5-month long exhibition and celebration hosted and planned by the CCCADI. Curated by Lynnée Denise, this expansive show traces the rich and migratory history of Black music in select areas of the United States, United Kingdom, and Caribbean over the last thee decades.

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BKX and Avant Arte present Brooklyn-based artist Gabrielle Garland's first ever artist edition. Titled Anything worth having hurts a little, the work is a take on domestic bliss in Garland's traditional, whimsical style. Avant Arte is a world-class publishing and collaboration house that produces editions for some of the most prominent and influential names in the art world, and connecting with both the creative producers there as well as Gabrielle, made for an exciting launch.

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We worked with Her Clique to produce a special, extremely limited print edition with artist Martha Edelheit. The print return of Edelheit's iconic Tattoed Lady from 1962 — with a twist: a brand new tattoo! The release of this edition follows Edelheit's showcase at the Jewish Museum and solo exhibition at Eric Firestone Gallery.

Marina Zurkow's solo exhibition titled World Wind opened at bitforms gallery featuring new work, including collaborative generative pieces done with James Schmitz. This exhibition takes inspiration from Zurkow's use and exploration of the GAN software, Midjourney, in her studio practice.

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